BUILT AROUND YOUR VISION

For productions that need more than standard equipment can provide — from custom lighting controls and automated mechanisms to interactive props and practical effects.

Our embedded systems can handle triggering, sensing, communication, monitoring, and precise control, while custom software for PC, Mac, iOS, Android, and web provides intuitive control and real-time monitoring.

Systems can be designed to integrate with existing production equipment and control setups, extending what is already in place rather than replacing it.

For artists and studios that need equipment shaped around a specific workflow rather than a general-purpose product — custom MIDI and HID controllers, DJ hardware, stage devices, and automated performance systems.

Our embedded systems can handle triggering, sensing, mapping, timing, and precise control, while custom software for PC, Mac, iOS, Android, and web provides intuitive control and real-time monitoring.

Devices communicate over the protocols already in use in studios and on stage — MIDI over USB, DIN, or wireless, DMX for lighting fixtures, OSC across a network, and CV or gate for modular systems. A single controller can address sound and lighting at the same time, stay synchronised to tempo or timecode, and keep separate systems running in step. Where a system uses no standard protocol, the necessary bridge can be written on the software side.

Systems can be designed to integrate with existing DAWs, controllers, and stage setups, extending what is already in place rather than replacing it.

Builds range from a single instrument for one performer to small production runs for touring setups, each designed, prototyped, and manufactured in house.

For rooms that need props built around a specific story rather than assembled from off-the-shelf parts — puzzle mechanisms, concealed triggers, prop locks, and set pieces that respond to what players do.

Our embedded systems can handle triggering, sensing, sequencing, timing, and precise control, while custom software for PC, Mac, iOS, Android, and web provides intuitive control and real-time monitoring.

Props can detect the states a puzzle depends on — RFID tags, magnets and reed switches, rotary and linear positions, weight, light, and touch — and drive the outputs a room needs, from maglocks and drawer releases to lighting, sound, and motorised set pieces. Each prop can run on its own or report to a central controller over a wired or wireless link, so a room advances as one sequence rather than as a set of unrelated boxes. A game master interface can show how far the players have got, trigger or skip a puzzle, and return every prop to its starting state on a single reset.

Systems can be designed to integrate with existing room-control software and prop networks over relay contacts, serial, or network messages, extending what is already in place rather than replacing it.

Hardware is specified for continuous daily operation and for the cycle counts a commercial room puts on locks, buttons, and moving parts. Builds range from a single prop replacing one that keeps failing to a complete room fitted out from scratch, each designed, prototyped, and manufactured in house.

For builds that need a part or a control nobody manufactures — custom switch panels, instrument and gauge displays, lighting controllers, and one-off interior and engine-bay hardware.

Our embedded systems can handle sensing, communication, logging, timing, and precise control, while custom software for PC, Mac, iOS, Android, and web provides intuitive control and real-time monitoring.

Devices can communicate over the buses a vehicle already uses — CAN and CAN FD, LIN, and OBD-II — so a panel can read road speed, engine data, and gear position from the vehicle itself rather than from a second set of sensors. Outputs drive relays, lighting, actuators, and displays, and inputs can come from machined rotary controls, switches, and pedals made to match the interior they sit in. Where a vehicle exposes nothing usable, a signal can be taken directly and conditioned in hardware.

Systems can be designed to integrate with existing wiring, harnesses, and factory controls, extending what is already in place rather than replacing it. The work covers interior, lighting, display, and auxiliary control rather than safety-critical vehicle systems.

Hardware is specified for the conditions a vehicle puts on it — vibration, temperature swing, and the electrical noise of a 12 or 24 volt supply — with connectors and enclosures chosen to match. Builds range from a single replacement control to a complete custom interior fit-out, each designed, prototyped, and manufactured in house.

For pieces that respond to the people in front of them rather than running a fixed loop — visitor-triggered sensing, kinetic elements, lighting, and sound built into the work itself.

Our embedded systems can handle sensing, triggering, sequencing, scheduling, and precise control, while custom software for PC, Mac, iOS, Android, and web provides intuitive control and real-time monitoring.

A piece can read presence, proximity, touch, pressure, and movement, and drive lighting, motors, sound, and screens in response. Several elements can be kept in step across a room or a whole building over a network, speaking the protocols a venue already runs — DMX and Art-Net for lighting, OSC and MIDI for cues, and network messages for everything else. Scheduled behaviour can bring the work up and down with opening hours without anyone starting it by hand.

Systems can be designed to integrate with the lighting, audio, and control infrastructure a venue already runs, extending what is already in place rather than replacing it.

Hardware is specified for long unattended runs in public — continuous operation across the full length of an exhibition, recovery without a technician after a power cut, and enclosures suited to work that can be reached and touched. Builds range from a single piece to a set of works that travel and are reassembled on site, each designed, prototyped, and manufactured in house.